{"id":969,"date":"2015-09-23T20:16:00","date_gmt":"2015-09-23T18:16:00","guid":{"rendered":""},"modified":"2022-03-26T13:20:33","modified_gmt":"2022-03-26T12:20:33","slug":"les-sangs","status":"publish","type":"post","link":"https:\/\/melissapontery.fr\/index.php\/2015\/09\/23\/les-sangs\/","title":{"rendered":"Les Sangs : Barbe Bleue racont\u00e9 par ses femmes"},"content":{"rendered":"

\n<\/p>\n
\n\"Chronique<\/a><\/div>\n

Il est tr\u00e8s difficile de parler des Sangs<\/i> sans trop en dire, tant le c\u0153ur de l’histoire est li\u00e9 \u00e0 ses d\u00e9nouements, car contrairement au c\u00e9l\u00e8bre conte de Perrault, Barbe Bleue<\/i>, Audr\u00e9e Wilhelmy ne raconte pas seulement l’histoire de l’Ogre, mais celles de ses femmes.<\/p>\n

Un conte d\u00e9licieusement sanglant, qui vous fera retrouver avec plaisir les classiques de l\u2019enfance.
\n <\/p>\n

<\/span><\/h4>\n

\n
\nLa quatri\u00e8me de couverture\u2026
\n <\/span><\/h2>\n
\n
\nUn manoir obscur et fascinant, dans une cit\u00e9 hors du temps. Celui qu\u2019on appelle l\u2019Ogre attire \u00e0 lui des proies presque consentantes pour les aimer puis les tuer. Mais d\u2019o\u00f9 viennent ces femmes ? Pourquoi se donnent-elles \u00e0 lui ? Elles le racontent dans les carnets qu\u2019elles laissent derri\u00e8re elles et que F\u00e9l\u00e9or assemble en un curieux livre \u2013 ses Sangs.<\/p>\n

Mercredi, Constance, Abiga\u00eblle, Frida, Ph\u00e9lie, Lott\u00e4, Marie : sept femmes, et autant d\u2019exp\u00e9riences du d\u00e9sir et de la mort, sept \u00e9critures qui disent la f\u00e9minit\u00e9, le narcissisme, la soumission tant\u00f4t feinte, tant\u00f4t amus\u00e9e.<\/p>\n

Polyphonique et amorale, po\u00e9tique et sulfureuse, cette r\u00e9interpr\u00e9tation virtuose du conte de Barbe bleue, par Audr\u00e9e Wilhelmy, n\u2019est pas pour les enfants.
\n <\/i><\/div>\n

\n
\nBarbe bleue, pervers narcissique
\n <\/span><\/h2>\n
\nDans la version de Perrault, les femmes ont une pr\u00e9sence un peu anecdotique qui ne sert qu’\u00e0 d\u00e9peindre encore plus fortement les caract\u00e9ristiques du personnage principal. Le destin des \u00e9pouses n’est r\u00e9v\u00e9l\u00e9 que parce que la plus jeune d’entre elles d\u00e9sob\u00e9it \u00e0 son mari et ouvre la porte interdite derri\u00e8re laquelle se cachent les cadavres des pr\u00e9c\u00e9dentes compagnes. Elle subira bien entendu le m\u00eame sort que les autres. On se retrouve finalement dans un sch\u00e9ma un peu simpliste, et presque biblique, selon lequel seule la femme est l’instigatrice de toutes amoralit\u00e9s et doit par cons\u00e9quent \u00eatre punie pour ses erreurs. Barbe Bleue tient alors le r\u00f4le du justicier. Ce r\u00e9cit est d\u00e9sormais bien \u00e9loign\u00e9 des actuelles normes sociales, et par r\u00e9percussion, des attentes des lecteurs. Ce qui nous pousse tout naturellement \u00e0 la r\u00e9interpr\u00e9tation moderne que nous propose d\u00e9sormais Wilhemy.<\/p>\n

Dans cette nouvelle version, la figure masculine est \u00e9galement omnipr\u00e9sente, mais prend les traits d’un jeune homme qui semble presque fragile. Presque, car on comprend d\u00e8s le d\u00e9part que les tendances carnassi\u00e8res du jeune gar\u00e7on cachent une pr\u00e9disposition \u00e0 la chair et au sang. Tel un animal, F\u00e9l\u00e9or d\u00e9gage un charme presque caustique, qui l’aidera pour chasser ses proies. Au fil des pages, on d\u00e9couvre un personnage fascinant et paradoxal ; \u00e0 la fois victime et bourreau. Victime de son app\u00e9tit sexuel incontr\u00f4lable qui le conduira non seulement \u00e0 chercher de nouvelles partenaires mais le transformera petit \u00e0 petit en machine \u00e0 assouvir les d\u00e9sirs f\u00e9minins ; et bourreau car il s\u2019incruste dans les esprits et dans les corps de mani\u00e8re obsessionnelle mais ne sait malheureusement pas dissocier le plaisir de la cruaut\u00e9.<\/p>\n

Ici, les femmes de l’Ogre ne sont pas d\u00e9crites comme passives mais comme instigatrices de leurs propres morts. Non seulement elles n’ignorent pas leurs funestes destins mais s’y pr\u00e9parent consciencieusement, comme pour atteindre la f\u00e9licit\u00e9. Submerg\u00e9es par une vision de l\u2019amour et, surtout, des d\u00e9sirs physiques d\u00e9form\u00e9s, ces femmes se donnent corps et \u00e2mes pour contenter leurs propres penchants et ceux de leur amant. Gr\u00e2ce aux journaux intimes qu’il leur demande de tenir, F\u00e9l\u00e9or r\u00e9colte les pens\u00e9es les plus profondes de chacune de ses sept \u00e9pouses, leurs fantasmes les plus impudiques et leurs n\u00e9vroses. Peu \u00e0 peu, on voit glisser les r\u00e9cits vers une forme de consentement. Le d\u00e9sir, le jeu et la mort se confondent. La volupt\u00e9 prend bien souvent sa source dans leurs esprits troubl\u00e9s et leurs tendances autodestructrices, \u00e0 tel point que ce que l’on per\u00e7oit comme une emprise psychologique malsaine de la part de F\u00e9l\u00e9or, est finalement interpr\u00e9t\u00e9e par ses \u00e9pouses comme le fruit de leurs propres volont\u00e9s. Est-ce la passion qui les pr\u00e9cipite vers l’issue fatale ou ont-elles d’ores d\u00e9j\u00e0 renonc\u00e9 \u00e0 leurs propres existences ?<\/p>\n

 <\/p>\n<\/div>\n

\n
\nPour r\u00e9sumer\u2026
\n <\/span><\/h2>\n
\nLe fait de r\u00e9interpr\u00e9ter le conte sous l’angle du psychopathe narcissique vs l’\u00e9pouse destructrice donne au r\u00e9cit un certain r\u00e9alisme contemporain qui est assez d\u00e9stabilisant. En tant que lecteur, on d\u00e9veloppe au fil des pages une forme d\u2019hypnotisme pour les h\u00e9ros, dont les motivations ou les questionnements peuvent faire \u00e9chos \u00e0 nos propres ressentis. A chaque chapitre, on croit franchir une fronti\u00e8re entre la folie et la raison. L’\u00e9criture de Wilhelmy, entre le conte et le thriller, est d’une surprenante intensit\u00e9. La passion, l’amour, la haine, la fr\u00e9n\u00e9sie sexuelle, nous prennent aux tripes du d\u00e9but \u00e0 la fin. Elle met sous pression les rapports humains, en tire tout ce qu’il y a de plus cru, de plus pervers, et nous laisse avec d\u2019innombrables questions sur la nature humaine. C’est fascinant !
\n <\/div>\n

\n
\nMa note\u2026
\n <\/span><\/h2>\n
\n17\/20
\n <\/div>\n
\n
\nLes Sangs
\n<\/a><\/i>
\nAudr\u00e9e Wilhemy <\/div>\n
\n192 p. Grasset, 16,50 \u20ac<\/div>\n","protected":false},"excerpt":{"rendered":"

Il est tr\u00e8s difficile de parler des Sangs sans trop en dire, tant le c\u0153ur de l’histoire est li\u00e9 \u00e0 ses d\u00e9nouements, car contrairement au c\u00e9l\u00e8bre conte de Perrault, Barbe Bleue, Audr\u00e9e Wilhelmy ne raconte … <\/p>\n","protected":false},"author":1,"featured_media":1645,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,90],"tags":[180],"class_list":["post-969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques-de-livres","category-contes","tag-audree-wilhelmy","latest_post"],"yoast_head":"\nLes Sangs : Barbe Bleue racont\u00e9 par ses femmes - M\u00e9lissa Pont\u00e9ry<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/melissapontery.fr\/index.php\/2015\/09\/23\/les-sangs\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les Sangs : Barbe Bleue racont\u00e9 par ses femmes - 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